Archive for the ‘Design Magic’ Category

Design Magic: What is a DesignPack?

Wednesday, August 4th, 2010

The questions I’ve heard most frequently since we published Design Magic are “What is a DesignPack?” and “How do I use the DesignPack with my Design Magic book?”

The DesignPack is a convenience item that we put together for readers and teachers. It contains pre-cut and pre-printed templates that allow you to jump right into the design process without taking the time to make templates. Each DesignPack contains:

  • 6 pre-cut 4″ squares of black paper,
  • 6 pre-printed Design Pages, and
  • 6 pre-printed freezer paper stencil templates.

The DesignPack came to life after I taught my first test class for Design Magic. While we made it though the process just fine, it was clear that we spent a lot of time making templates that could have been better used making the actual designs. Personally, I’m a lot more excited about making designs than making templates – I like to see results now! And I figured that a lot of you think the same way, and therefore, we have a DesignPack.

To answer the question about how to use a DesignPack with the Design Magic book, let’s do a quick review of what Design Magic is all about. The best way to do this is a high level overview. I’ll point out how the DesignPack contents are used along the way.

Design Magic – the Short Course

Design Magic is a simple process for creating a design, turning it into a pair of stencils, and then transferring the design to fabric with paintstiks. All of the lovely details are in the book, of course, but here is the high-level overview.

1 – Start with a square

All designs start as a simple square. I prefer to use black paper because it’s easy to see the contrast between the black paper and a white background. If you don’t have black paper, choose the darkest color you can find.

All of the designs in the Design Magic book (and our pre-cut mylar stencils) start with a 4″ square. The DesignPack contains 6 pre-cut 4″ squares. You can, of course, work with squares of a different size if that works better for your project.

2 – Cut shapes from the square

Cut one or more shapes from the square – and save all the little cut-outs. The only real rule here is that the shapes have to start and end on an edge of the square. (You can’t cut a hole out of the middle.) This example has a lot of shapes cut from the square, but some of my favorite designs are done with a single shape.

3 – Make a Design Page

The next step in the process involves arranging the shapes that you cut from the square onto a Design Page. While it’s certainly possible to make your own Design Page templates (the instructions are in the book), it’s really convenient to just grab a page from the DesignPack and start getting everything arranged.

I love making Design Pages. This is where I can first see the positive and negative images that I cut from my squares and how they interact. If a Design Page is put together properly, the white shapes on one side will be the mirror image of the black shapes on the other side.

4 – Create a repeating pattern

With a Design Page in hand, you can actually test a design on paper rather than making stencils and testing the design on fabric. All you need access to is a copy machine (or one of those lovely printers that makes copies). If you make 5 copies of your design page and cut out all the squares, you can do a cut-and-paste exercise and make a repeating pattern from your design.

5 – Review design and make changes (if needed)

Once you have created a repeating pattern from the Design Page, you can review the design and make changes if you wish. There is an entire section of the book dedicated to the review process along with tips on small changes that can transform an “ok” design into a really great design.

6 – Transfer the design to freezer paper

The next step is to transfer the shape from your Design Page to freezer paper. You can either make your own freezer paper templates or use the pre-printed templates from the DesignPack.

One note about freezer paper – it shrinks! It took me a while to figure this out, but freezer paper really does shrink when pressed with a warm iron. (And since we press our freezer paper stencils to fabric before painting, it’s important to pay attention!) So whether you make your own freezer paper stencil templates or use the templates from the Design Pack, please read the information in the Design Magic book about pre-shrinking the freezer paper. It can save you a few headaches before you get further into the process.

7 – Cut equal and opposite stencils

With your design copied on one stencil template, you are ready to cut a pair of equal and opposite stencils. Using the process detailed in the book, it’s really fast and accurate. It’s more than I can explain in a short paragraph, but the result is that you cut away the main shape in one stencil, and cut away the background in the other stencil. The pair of stencils should look just like the design page.

That’s it! You’re ready to paint!

As you can see, the process of making your own personal designs is not exactly rocket science. It’s more a matter of sitting down and doing it. The Design Magic book gives you a recipe and the DesignPack puts you in the fast lane for making great designs. DesignPacks are great for anyone who wants to make their own designs – and a huge time-saver for teachers. I know I’ll never teach another class without them!

Show us your Design Magic

Have you been experimenting with Design Magic? If you have, please send pictures! I would love to see what you are doing. You can always send e-mail using our Contact Page. If you send photos, please let us know if it is OK to share your photos on the blog or in one of our newsletters.

Happy designing,

~ Shelly

Free Project: Shelly’s Magic Mats

Friday, July 30th, 2010

Here’s a great little project for our DesignMagic stencils – or one of your own designs! My Magic Mats pattern is the simplest way to make a placemat that I can think of. All you need is two pieces of fabric, some interfacing, one paintstik, one brush, and one pair of DesignMagic stencils. It’s easy!

Fair warning – this is a long post with a lot of pictures. If you want the short version, visit the Learning Center on our site and download the instructions as a PDF. The instructions are posted here.

Here are photos of three finished Magic Mats.  As you can see, you’ll need one piece of fabric to be painted and one that will serve as the borders and backing. Let’s get started!

Material List (for one Magic Mat)

  • 1 (9″ x 17″) rectangle focus fabric (to be painted)
  • 1(18″ x 17″) rectangle of border/backing fabric
  • 3/4 yard medium weight fusible interfacing, such as Pellon ShirtTailor
  • 1 set DesignMagic stencils
  • 1 or more Shiva® Paintstiks
  • 1 stencil brush (more if you use more than one color of paint)
  • Grip-n-Grip no-slip mat [Bear Thread Designs]
  • 404 spray adhesive [Spray and Fix / JT Trading]
  • Removable chalk pencil

Step 1 – Fuse interfacing to fabric

Cut two rectangles of fusible interfacing slightly smaller than the fabric rectangles. (I cut mine about 1/8″ smaller so I don’t get fusible stuff on my ironing board cover.) Fuse the interfacing to the wrong side of the fabric rectangles using the manufacturer’s instructions.

The interfacing adds body to the fabric and eliminates the need for batting. The placemat stays thin, but it’s not wimpy. I used Pellon’s ShirtTailor interfacing, which is a nice medium weight product.

Step 2 – Prepare fabric and stencils for painting

Mark the horizontal and vertical center lines on the focus fabric with a removable chalk pencil.

Place your stencils right side up on your work surface. Clearly mark one as Stencil-A and the other as Stencil-B with a permanent marker.

If you are using pre-cut mylar DesignMagic stencils, place the stencils wrong side up on a piece of newspaper and spray the back side of each stencil with 404 adhesive spray. (I prefer to do this outside or in the garage so I don’t stink up my work area.) I like to call 404 spray “post-it notes in a can.” Once the stencils are sprayed, they stay where you put them and don’t move around as you are painting.

If you are using your own designs cut from freezer paper, do not spray them with 404. Use the information in the Design Magic book for alignment tips and adhere the stencils to your fabric by pressing with a warm iron.

Step 3 – Paint DesignMagic images on focus fabric

Place your focus fabric right side up on a Grip-n-Grip mat (if you have one.) The mat will keep your fabric from moving around while you paint.

Remove the film from the end of your paintstik, rub the paint on a piece of freezer paper, and load the paint onto a stencil brush. For more information on stenciling, visit the Learning Center and download the document on Stenciling.

To paint the first image, position Stencil-A so that two alignment guides are even with the registration marks on the fabric. Paint the fist images using paintstik color and a stencil brush.

Lift the stencil from the fabric. Place the stencil on scrap fabric and gently wipe away any excess paint before using the stencil again. (I don’t usually worry about wiping my stencils unless it’s very messy or if I’m using several colors and don’t want to muddy them up when I paint the next image.)

To paint the second image, position Stencil-B next to the fist painted image. Rotate the stencil until th eimages on the stencil match up with the painted image from the previous step. Use the alignment guides and the registration marks to make sure the stencil is in the right place. Paint the image, lift the stencil, and clean the stencil if necessary.

Continue painting images, alternating between Stencil-A and Stencil-B until you have painted 8 DesignMagic images on the focus fabric.

Step 4 – Allow paint to dry and heat set paint

Allow the paint to dry for 24 hours and then heat set the paint to make it permanent. To heat set, place the painted fabric on an ironing board, right side up. Cover the painted fabric with a piece of muslin or scrap fabric. Preheat a dray iron to the appropriate temperature for the fabric. Press each section of the fabric for 10-15 seconds.

I usually heat set paint by placing the fabric paint-side down on parchment paper and pressing from the back. But in this case, I’ve already fused interfacing to the back, and I think it’s better to press from the top with a pressing cloth.

Step 5 – Assemble Magic Mat

Use a 1/2″ seam allowance for all seams on this project.

Align the long edge of the painted fabric with one 17″ edge of the border fabric, right sides together. Pin as needed and stitch the full length of the seam with a 1/2″ seam allowance. I don’t have a good 1/2″ seam guide, so I actually marked the 1/2″ line on the back side of my painted fabric.

Open the fabric and check to see that there the seam allowance covers the unpainted portion of the fabric. You can always make an extra wide seam allowance if you have unpainted portions of the focus fabric showing at the seam. Press the seam allowance toward the border fabric.

Fold the remaining 17″ edge of the border/backing fabric 1/2″ to the back side a press. After pressing, open the fold for the next step.

Align the second long edge of the painted fabric with the remaining 17″ edge of the border/backing fabric, right sides together. The fabric should form a tube. Pin as needed and mark the seam allowance 3″ from each side. (See red arrow in photo above.)

Stitch a short 3″ seam from each end, leaving the middle of the seam open. You will turn the Magic Mats through this opening later.

Here’s what your Magic Mat should look like so far. The two pieces should form a tube, and there should be an opening in one of the seam.

With the tube wrong side out, flatten the tube so one of the long seams is 1.75″ from the folded edge. Do NOT press the tube flat while it is wrong side out – we’ll press it flat after turning it right side out.

Pin the ends of the tube together and stitch a seam along each end using a 1/2″ seam allowance. Peek inside the mat to make sure unpainted portions of the focus fabric do not show at the side seams. Trim the side seams to 1/4″ if desired.

Gently turn the Magic Mat through the opening in the seam. Use an awl to pus the corners out for nice square corners.

Flatten the placemat and give it a good pressing.

After the mat is pressed flat, top-stitch along the edge of the focus fabric to secure the layers together and to close the opening in the mat. I also top-stitched along the grid lines in the painted fabric. The stitching gives the illusion that the fabric is pieced, but is far less work.

Enjoy your Magic Mats!

Magic Mats really are easy to make, and they are a fantastic way to play with DesignMagic images. They are big enough to show off the repeating designs, and small enough that they can be done quickly. It takes me about 25 minutes to paint one of the panels and less than an hour to assemble a mat. Now that’s what I call magic!

Make Magic Mats for your own home – or make gifts for your friends and family. If you prefer runners to placemats, simply make a longer version of this project. It’s easy!

Download a free copy of the Magic Mats pattern

Visit the Learning Center on our website to download a free, printer-friendly version of the Magic Mats pattern. The pattern is posted on the Design Magic Resources page. You are welcome to make copies for your friends.

Learn more about Design Magic

If you like making Magic Mats, you’ll love Design Magic for Paintstiks on Fabric. Learn to make your own designs, turn them into stencils, and transfer the images to fabric. With Design Magic, you really can design your own fabric!

Design Magic: Make Scrollwork This Summer!

Tuesday, July 20th, 2010

As part of my visit to Bernina University, I offered the dealers and shop owners a free DesignMagic stencil along with a free project. (More on the project at the end of the post.) I was really interested to see which of the 4 stencils (Safari, Scroll, Fractured-X or Wavy Squares) they would choose most frequently.

While all of the stencils were popular, 35% of the dealers chose the Scroll stencil to make the sample for their project. The most frequent comment was that they liked the circular lines of the design — often referred to as “curlicues.”

Here is a photo of the Scroll stencils.

When I created these designs, I was thinking about waves. (If you take one of the curly images and lay it on its side, it looks like a wave breaking — or at least it did in my mind.) But the composite image doesn’t look like water in any way, shape, or form!

Leanne (my trusty assistant) thought the images looked like Scrollwork, and that’s how the stencil got it’s name. (The discussions on names get very interesting at times — much rolling of eyes and tons of laughter as more than a few inappropriate possibilities are tossed about…) But, back to Scrolls…

I used the Scroll design for the very first project I created for the book. I made the little Scrollwork quilt at a retreat last fall. It was really an experiment to see if I could use Design Magic images with patchwork projects (instead of whole cloth), and clearly, the answer was YES! Here’s a photo of the Scrollwork quilt.

Making this quilt led to all of my “aha” moments related to the alignment guides on the pre-cut mylar stencils. when I made the blocks for this quilt, I put them on oversize blocks. Then I had to try to trim them down to size. With some designs that might work OK, but this one was a real bear. All the curves made it tough to find the “corners” for trimming the blocks to size. It was definitely one of those moments when I said “There has to be a better way!” And, of course, there was.

A number of people have asked what color paintstik I used on the Scrollwork quilt. Since there is no “burgundy” in the paintstik line, I made my own by mixing Purple Sage and Alizarin Crimson. (Crimson is a dark red, and the addition of purple tones it down to a nice burgundy.)

Before I go, I want to share one more piece that I made with the Scroll design. This is one of my Magic Mats. I painted this fabric while I was in Orlando. (I’m always happy when I can do double duty by demonstrating on fabric that will actually get used!) I used Chocolate Brown (from the matte color line) on the pink fabric.

I have finished editing the photo sequence for Magic Mats, and I promise to post the instructions shortly.

I hope you are having a wonderful summer. If a rainy day comes your way, grab a paintstik and a brush and make a little Design Magic of your own.

Shelly

Get your books signed at the Minnesota Quilt Show!

Monday, June 14th, 2010

It’s the middle of June, so it must be time for the Minnesota Quilt Show and Conference in St. Cloud, MN. As a Minnesota girl, I love this event. The MN Quilters put on one of the largest quilt shows in the United States, and perhaps the largest by a volunteer organization.

I worked at this show for many years as a vendor (when I was hand-dying fabric) and as a teacher. One of the biggest thrills of my teaching years was the invitation to teach at this show, as they usually reserve their teaching slots for national instructors.

This year, I’ll be attending rather than working, but I’ll be signing books for a short time on Thursday and Friday (June 17 & 18) between 11:30 a.m. and 1 p.m. for Laura Murray Designs, a vendor at the show. Laura’s vendor booth will be poolside at the Kelly Inn.

We’ll have copies of my new Design Magic book on hand along with Paintstiks on Fabric. Laura also carries a large variety of painstiks products, so you’ll find everything paintstik-related that you could possibly want.

Pick up Susan Stein’s new Textile Art book too!

Susan Stein, who graciously provided all the lessons on stenciling for our blog, will also be signing copies of her newest book at the Minnesota Quilt Show. You can meet Susan and have her sign your books on Saturday, June 19th from 12 noon – 1:30 p.m., also at Laura Murray Designs.

(If you missed Susan’s lessons on stenciling, check the Blog Archives for November 2009 – February 2010)

Susan’s latest book is titled The Complete Photo Guide to Textile Art (Creative Publishing International), and it is a treasure! It’s an indispensable reference guide for anyone who wants to embellish fabric and suitable for beginners and experienced fiber artists. Here’s a picture of the cover.

If you can’t come to the Minnesota Show…

If you hadn’t figured it out by now, Susan, Laura and I are all from Minnesota and we have a very strong connection to the state quilt show. We have many fond memories of working this show in one way or another, and would love to add meeting you to the list!

If you can’t join us in St. Cloud this week, hop on over to Laura Murray Designs on the web. You’ll find all manner of fascinating fiber art goodies, including our new books.

I hope to see you in St. Cloud!

Design Magic: On Safari with Margo!

Wednesday, June 2nd, 2010

After much holding of breath and saying of prayers, the first copies of Design Magic arrived in my office just a few days before Spring Quilt Market. I felt totally blessed that the book arrived in time — and that Spring Market was held in Minneapolis this year. We’re just a few hours away from the Twin Cities, so I didn’t even have to drive as far as the airport.

Once the book arrived and everything was packed, I decided to take a few hours to make something special for myself using the cover fabric from the book. I’ve already worn out the Primrose tote that started my Design Magic adventure, so I decided to make the new Margo bag from my good friend Joan Hawley at Lazy Girl Designs.

Margo is a delightful bag with a zipper at the top — and leave it to Joan to figure out such an easy method for adding a zipper! Margo is a little bigger than I would normally make for a purse (I like them SMALL so I don’t carry too much junk…) but she is going to be perfect once my iPad arrives.

I used the Safari design and a Grape (matte color) paintstik to paint this beautiful piece of hand-dyed fabric. As soon as I finished, I knew it was perfect for the the cover of the book, and I have to say that it made a fabulous bag as well. I had a hard time cutting into this piece of fabric to make something I’m sure to wear out, but hey –  what good is beautiful fabric if it just sits in the closet? If I wear it out, I’ll just have to make a new one!

More about the Safari Design

Matthew Mills, my very talented graphic designer, created the Safari design for me when I was working on the book, and I have to say it is one of my favorite designs. The design is printed in the book so you can make freezer paper stencils from it, or you can purchase our pre-cut mylar Safari stencils. The mylar stencils have several advantages — they are already cut (of course!), you can see through the mylar, and all the alignment guides are etched into the stencils to make your life easier as you paint the images on fabric. Here is a picture of the Safari stencils. (You can see all the new stencils on our New Products page.)

And here a closer look at the Safari design on a piece of the Gradations fabric from Benartex.

I used this set of stencils to make the On Safari quilt project that is included in the Design Magic book.

On Safari is a super-simple quilt. The 4 large panels are painted on fat quarters that are then trimmed to size for insertion in the quilt top. I just quilted in the grid lines. I was surprised how many people at spring market thought it was appliqued or pieced.

At any rate, you can go on your own Safari Design Magic adventure. Make a Margo bag, make a quilt, you decide! Whatever you choose, it will be lots of fun.

Deisgn Magic: Primrose Projects

Tuesday, May 11th, 2010

In my last post, I introduced my new Design Magic book. It’s due in from the printer any day now, so you can imagine that I’m waiting on pins and needles! Did I mention that I hate waiting??? In the mean time, I want to tell you more about the book.

Design Magic is a really great way to make your own designs, turn them into freezer paper stencils, and add the designs to fabric by stenciling with paintstiks.

Freezer paper stencils? Yes, freezer paper stencils. While they don’t last forever, freezer paper stencils are much more durable than you think — I really pushed one set and used it more than 50 times before it was really worn out. As a matter of fact, I used freezer paper stencils to make most of the samples in the book, including the queen-size Woodland Flowers Quilt.

And as much as I love freezer paper stencils, there is an outer limit to how long they last, and that means you have to make multiple sets of stencils for a very large project. I like making stencils (it’s really quite easy), but even I was a little annoyed after making the 4th set of stencils for my big quilt. I decided there had to be a better way.

It took a few months and a series of samples from my very patient and understanding stencil company, but I figured out a way to make pre-cut mylar stencils from Design Magic designs. And I liked them so well that I decided to include one set in the Design Magic book. (I chose the Primrose set for the book because I used it for the big quilt — and that was the design I was working with when I figured out how to make the Design Magic process work.)

So, you get the best of both worlds. If you like the idea of designing your own fabric, the Design Magic book gives you a neat method for making your own designs, creating stencils, and transferring your designs to fabric.

If you just want to paint, you get a set of pre-cut mylar stencils that can be used to make any of the projects in the book — as well as any that you can dream up — without the work of making stencils. Here’s a photo of the Primrose Stencils.

And here are a couple of Primrose images stenciled on a piece of Gradations fabric.

As you can see, the Primrose stencils form a stylized floral motif when they are painted in a repeating pattern. They can be painted in a single color or multiple colors. I really like painting on the Benartex Gradations fabric with a single paintstik. I used a blue/turquoise variation of this fabric to make my Primrose Tote. (Confession: The book does not include instructions for this tote. I used some very basic instructions from an old magazine article and re-sized the bag to fit my painted fabric. You could do the same using your favorite tote bag pattern.)

If the fabric is not changing color, I like painting with multiple colors. Here’s a piece in progress that I was painting with bright colors.

This bright and cheerful fabric will make a wonderful wall quilt or pillow cover for a room that needs a splash of color!

As you can see, there are plenty of wonderful possibilities for the Primrose design that comes with each copy of the Design Magic book. In the next post, I’ll introduce you to additional Design Magic stencils.

As always, happy painting!