Archive for the ‘Rubbing Plates’ Category

Clean-Up Tips

Monday, August 24th, 2009

Whenever I do paintstik demos, someone inevitably asks “how do I clean up?”  After playing with these paints for 10 years, I’ve gone through a lot of different cleaning products. Here are my favorites.

Cleaning Brushes

CedarCanyonBrushSoapMy favorite cleaning for cleaning brushes depends on how long they sit before I clean them.

If I clean them up right away, I use the Cedar Canyon Brush Soap. It’s an oil-based cleaner that is non-toxic and gentle on your skin. I dip the brush into the jar of soap, and then swirl it around in the palm of my hand until the soap is thoroughly worked into the bristles. Then I rinse with warm water and repeat if necessary. I squeeze the water out with a towel and leave the brushes to dry.

citrasolvIf I’ve been lazy (it happens frequently) and I’ve left my brushes for more than a day or two, I use Citra-Solv to clean the brushes. Citra-Solv is a concentrated orange-based solvent. I purchase it at the local health food store, but you may find it in the organic section of a grocery store. I stand the brushes in a container that has Citra-Solv in the bottom and let them soak for a bit. Then I scrub each brush on a clean paper towel to remove the paint. If there is a lot of paint on the brush (or if I leave them without cleaning for a loooong time) it may take a couple of cycles through the process to clean the brushes.

I like Citra-Solv much better than typical solvents like mineral spirits or paint thinner, but it can still be a little tough on the hands. And one more tip on Citra-Solv — choose your container carefully. I once had a student pour this stuff into a styrofoam cup and we promptly had a big mess — it ate through the cup!

One important note on cleaning brushes — you can clean your brushes with soap and water if you don’t mind working at it a bit harder. The main ingredient in the paintstiks is wax, so choose something like Dawn dish soap or anything that will cut grease. It’s more work, but it can be done.

Cleaning Your Hands

While I’m working, I keep some baby wipes handy. That way I can wipe my hands  when it’s important not to accidentally smear paint where I don’t want it.

When I finish up, there is no substitute for our brush soap. This stuff is great — it even takes the paint from underneath my fingernails without drying out my skin. Much better than regular soap and water — but that works too with a little more elbow grease (followed by a dollop of hand cream).

Cleaning Rubbing Plates

I always spray my rubbing plates with repositionable adhesive (like 404 or KK2000). The upside is that my fabric stays where I want it — the downside is that my plates are sticky and they collect lint and dust like crazy. So once in a while I need to clean them off and start over. Fortunately, Citra-Solv will remove sticky spray along with any paint buildup on the plates.

If you don’t have (or can’t locate) Citra-Solv, keep in mind that all of the companies that make sticky spray also make products to remove the spray. (Now there’s a built-in market…) So look for products like DK-5, HR-Zero and Remove. Sewing machine dealers are a good place to find these products as they use sticky sprays for machine embroidery.

Cleaning Stencils

stencil clean 1 stencil clean 2

Even if I wipe my stencils as I work, it seems that I always wind up with some paint build-up on my stencils. Because stencils are delicate, I prefer to spray them with Citra-Solv (or another solvent) and then gently wipe with a paper towel or soft cloth.

Cleaning Up Clothing

I always wear an apron when I’m around paints so I don’t paint my clothes. (The only time you see me without one is on the set of Quilting Arts TV and then I have to be really careful!) Unfortunately, stuff still happens. We have a “play table” in the Cedar Canyon booth at trade shows, and last spring I had an unhappy surprise. A paintstik must had dropped from the table onto one of our chairs. I didn’t actually sit on the paintstik, but I did get paint on the backside of my tan slacks. (A wrap-around apron maybe???) I was not happy.

Fortunately, my trusty trade-show assistant Mary Brandt had a solution for me. She took the bottle of our Cedar Canyon Brush Soap back to our hotel room with us and used it to clean the paint from my slacks. (And this was a day later — we forgot it the first day.) I had no idea that this would work, but Mary discovered this trick after smudging some dark blue paint on the yellow jeans she was painting. She let the paint dry and heat set the design, then used the brush soap to clean up the smudges — even after the paint was dry. I certainly can’t guarantee that our brush soap will remove errant paintstik color from your clothes, but it’s worth a try if you’ve accidentally painted yourself.

All Cleaned Up!

Well, there you have it. My cleaning basket is always stocked with Cedar Canyon Brush Soap, Citra-Solv, baby wipes, and a can of spray remover. If you have a favorite way to clean up, post a comment. Maybe we’ll find another great product!

Rubbing Plate Portraits

Thursday, August 6th, 2009

I’ve been working with paintstiks and rubbing plates for almost 10 years. In that time, I’ve almost always overlapped the images and made an overall print on my fabric — much like making a batik. But after making samples from the new Happy Holidays plates, a little idea popped into my head. I really liked each of the images just by itself.

I took photos of my rubbings and spent some time playing around with them on the computer, and decided the blocks would make a great little quilt. Then I got to work making up a bunch of blocks for a real quilt. (Those Photoshop quilts are tough to hang in a booth at Quilt Market!)

Of course, I promptly discovered that making a rubbing of a single image (what I’m calling a portrait) is a bit different than working in overall patterns. I wanted my blocks to be really crisp and clean, without a lot of mistakes around the edges. It took a little practice, but I came up with a method that works pretty well, and I’d like to share it with you.

Stop the Slip with Grippy Mats and Sticky Spray

Top ToolsI know I’ve talked about this before, but our Top Tips for Great Rubbings are incredibly important if you want to make rubbing plate portraits. (You can download a copy of this docmument from our Learning Center.) Rubbing plates are slippery and you have to tame them to get nice, clean rubbings. A Grip-n-Grip mat on your work surface will keep the rubbing plates from moving around while you work, and a coating of 404 spray on the top of your rubbing plate will keep the fabric where you put it. (Now, if only I had figure this out 10 years ago!)

The side benefit of using 404 spray on your plates is that you can press your fabric onto the plate and actually see where the plate is under your fabric. Here’s a a piece of silk that has been gently pressed onto a sprayed rubbing plate. See what I mean?

rubbing_plate_sticky_spray11

Make a Ghost Image

The next step is to make a very light rubbing to make sure you know where all the edges are. Think of this as a “ghost” image.  It’s easy to add more paint for a brighter image because the sticky spray is holding the fabric in place.

lightly_paint_first

Add More Color

Once you have a ghost image, it’s time to add more paint for a brighter image. This is the time to use multiple colors, or just make the image darker. You know where all the images are, so it’s easier to avoid running off the edges of the plate. At least that is the theory. In the real world, I usually end up with a few boo-boos, and it’s almost impossible not to have some drag marks between the rubbing plate images.

Clean Up Any Mistakes

Since I’m a bit of a fuss-budget when I’m making quilts for photography or to hang in my booth, I’ve found a few tricks for cleaning up my little messes.Here’s a photo of a few mistakes I want to clean up.

a_few_mistakes

The first trick is to use masking tape to pick up excess paint from around the edges of the rubbing.

pick_up_color_with_tape

Lay down a piece of take, and rub it with your fingernail.

pick_up_color_2

When you pick up the paint, most of the color will come with it. You may have to repeat this a couple of times, but this really is a handy way to fix a mistake. Unfortunately, it doesn’t work so well when the excess paint is in the middle of an image. So, after a bit of experimenting, I found another neat trick.

erase_drag_marks

I set my rubbing plate aside and put the fabric directly on the Grip-n-Grip mat. I pull most of the cotton off the end of a Q-tip and rub over the drag marks. I don’t get the last bit of paint off the fabric, but it looks better than it did before. Here’s a photo of the fabric after I cleaned up the image.

cleaned_up_image

Now you know all my secrets! The mistakes aren’t totally erased, but the images are cleaner and ready to put into a quilt. Armed with these tips, anyone can make beautiful Paintstik Portraits like these.

block_portraits1

Got rubbing plates? Make patchwork!

Monday, August 3rd, 2009

I’ve been busy this summer working on a new pattern called Paintstik Patches. It started off to be a holiday quilt, but it’s really more than that, so I changed the name. (I just love being able to do that!)  The pattern came back from the printer last week, and we’ve been busy shipping orders off to our distributors. It’s always a thrill to see new patterns going out the door as soon as they come in!

Paintstik Patches Pattern

Paintstik Patches is all about making rubbing plate “portraits” and putting them together to make a quilt, table runner, pillow cover — you name it. You can use any set of Cedar Canyon rubbing plates, or mix and match from various sets. I’m enjoying my time in the garden this summer, and I think I’ll make another quilt mixing Garden Flowers and Leaves. Or just use the Leaves plates and warm colors for a beautiful autumn table runner. (I’d better quit before I make too long a list or I’ll never get anything done…

Stay tuned for more on rubbing plate portraits. I have some great tips for working with this pattern.

Easy Paintstik Placemats

Wednesday, July 1st, 2009

Welcome to Day 10 of the Minnesota Designer’s Blog Hop. I’m so glad you stopped by to join the fun.

ShellyShellyI’m Shelly Stokes, and I’m the owner of Cedar Canyon Textiles. Most people know me as the “paintstik lady.” I discovered this wonderful paint product about 10 years ago in a book from the UK. You can read more about my adventure with paintstiks by clicking over to the “About” page on our website.

I’m back from the big Bernina University event in San Francisco and ready to serve up some serious paintstik fun! (At least now that I’ve recovered from that red-eye flight… it seemed like a great idea when I booked the flight, but I’m not at all sure I’ll do that again!)

Leave a comment today to tell me how you will use your placemats or who will receive them as a gift. From all the comments today, we’ll choose a lucky winner for a Paintstik Starter Pack. You’ll get a set of iridescent painstiks, a copy of Painstiks on Fabric, and one set of our rubbing plates. Now, let’s get started!

Easy Paintstiks Placemats

You can download the free pattern from the Learning Center. While you are there, download the Top Tips for Great Rubbings that were discussed in an earlier post on the blog as you will need the instructions from Top Tips for painting your placemat fabrics.

As with all paintstik projects, you need to have a “paint day” and a “sewing day” to make Easy Paintstik Placemats. If you plan them a week apart, the paint will have plenty of time to dry. Plan for at least 3 days to avoid issues with wet paint — trust me — you really do have to let the paint dry for a couple of days or you’ll be making a mess!

Materials for Easy Paintstik PlacematsI chose Gradations fabric from Benartex for this project because the graduated color changes adds a wonderful effect to the finished project. I especially like the Rainbow versions of this fabric because the color changes happen faster than they do with the other variations. If you don’t have Gradations fabric handy, just choose a nice fabric from your stash that is not an obvious print — because you’ll be making your own!

Here is a quick overview of the sequence for making the placemats. The complete instructions are in the pattern on the Learning Center.

Work Day 1: Paint your fabric

Paint FabricFirst, paint about half of each placemat “top” using your favorite set of Cedar Canyon rubbing plates. I made up fabric for 6 placemats, one from each of the Curves plates. To make “piled up” rubbings like this, I put my fabric over the rubbing plate and paint a part of the image. Then I move the fabric a bit and paint the next partial image, overlapping it a bit with the first image. You can read more about this technique in the Top Tips document you downloaded from the Learning Center.

After you finish painting, set the fabric aside for at least 3 days to allow the paint to dry. Allow 5 – 7 days if you live in a really humid area. After the paint is dry, you can heat set the paint by tossing the fabric in the clothes dryer on the hottest setting for 30-40 minutes. (Don’t even think if putting the fabric in your dryer until it dries for at least 3 days — and if you do, don’t call me!)

Work Day 2: Stitch Placemats

2_cut_strips

The assembly for the placemats is really fast and easy. First, cut the painted fabric in 3″ strips.

3_reverse_strips1Then, reverse the strips so the painted end of the strips alternates between one end and the other. Number the strips 1 through 5.

4_add_stripsThe placemats are assembled with a sew-and-flip method. Layer your backing and batting, and mark a line 8″ from one long edge of the batting. Put strip 3 face up next to this line, add strip 4 face down on top of strip 3, then stitch with a quarter inch seam. Flip strip 4 open and press. Add the remaining strips using the same sew-and-flip method.

Placemat with bindingAfter you add all the strips, trim the placemats to get a nice finished edge, add binding, and you have an Easy Paintstik Placemat!

Bonus – Make a matching Table Runner

You can make a table runner to coordinate with your placemats by simply starting with a wider piece of fabric. Rather than starting with a 16 x 19 piece of fabric, start with 16 x 36 — or the width of the fabric if you have a big table. Again, paint half of your fabric with rubbings, leaving the other half plain. Use the same assembly steps that you used for the placemats and you’ll have a matching ensemble for your table.

Top Tips for Better Rubbings

Monday, June 22nd, 2009

shellyHey folks! This is the week for the big Minnesota Designer’s Blog Hop! (You can read all about it by clicking on the logo over on the right hand side of your screen.) I’m on my way out of town for the big Bernina University event in San Francisco, so my turn on isn’t until July 1. In the mean time, you can click on over to the other blogs to see what’s happening around the great state of Minnesota.

I’m going to show you a great project on July 1. I call them “Easy Paintstik Placemats.” To get ready for the event, I pulled all my tips and tricks for making great rubbings into a single document. Finally! This little gem of a handout covers a bunch of topics that I’ve covered over the course of 3 or 4 blog articles. You can download the article by visiting the Learning Center on our site. If you prefer the “chatty” version,  you can follow these links to past blog articles. Here’s what’s covered…

Top Tips for Better Rubbings

The Big 3

The Top 3 Tips are first on the list. You need the right tools for the right job. Get a grip with a Grip-n-Grip mat from Bear Thread Designs, 404 sticky spray from the folks at Spray and Fix, and learn to use the side of your paintstiks. The articles that covered these topics are Better Tools, Better Rubbings (part 1), and Better Rubbings (part 2).

Making rubbings from a single plate

Next up are tips for making the actual rubbings. In the fist section, I’ve provided my recipe for filling your fabric with images from a single rubbing plate. The process here is pretty simple. Make the first rubbing from a portion of a rubbing plate, move the fabric, do it again, and so on until you fill up your fabric to look something like this.

floral_rubbing_partial2

giftbagsrgbOnce you have a lovely piece of fabric, you can make a wonderful project from it. Bosa Nova Bags, anyone? We’ll be using this technique for the placemats, so I really recommend that you download the Top Tips document and keep it on hand for next week.

Rubbing Plate Portraits

The second rubbing plate technique is working with a single image and adding multiple colors. I like to call these rubbing plate “portraits.” This is where the side of your paintstik comes in handy — big time! We all know that you can’t “see” the rubbing plate under your fabric, but you can find all the design elements by making a very light rubbing with the side of a paintstik. This will help you keep from “running off the edges” as you go back to make the image darker or add multiple colors. This was discussed in the post called Fixing Mistakes, Working with Multiple Colors. (Go to the 2nd half of the article.)

block_portraits1

Here are a couple of block portraits that use multiple colors. We’ll be talking more about the “portrait” technique in July as we debut the new Paintstiks Patches pattern.

Correcting Mistakes

Finally, the Top Tips handout covers a simple fix for minimizing mistakes that happen to me on a regular basis. If I’m in a hurry, or just not paying attention, I often “run off the edge” of my rubbing plate and leave a mark where I did not want one. Well, I found a way to minimize (if not eliminate) these irritating little mistakes. I put masking tape over the unwanted paint, rub it real hard with my finger nail, and then lift off the paint! I may not get every little bit of paint off, but it looks a whole lot less obvious than when I started. You can read the blog entry on Fixing Mistakes for more details.

For your own personal copy of the Top Tips for Great Rubbings handout, visit the Learning Center. Click on the document title and it will be downloaded directly to your computer.

Leave a comment, win a prize?

Have a wonderful time with the Minnesota Designer’s Blog Hop. I’ll see you here on July 1! If you leave a comment on this blog on July 1, you’ll have a chance to win a Paintstik Starter Pack  — that’s a copy of Paintstiks on Fabric, a set of paintstiks, and a set of rubbing plates.

starter_pack_blog

Fixing mistakes, Using multiple colors

Monday, March 23rd, 2009

I got the first set of plates from our new Happy Holidays set at the end of last week, so I had a good excuse to push all the paperwork aside and pull out my paints. (I love days when I have a good excuse to ignore all that “office” work!) I remembered to grab some fabric as I was leaving home, so I was ready to give the new plates a good workout.

When I get a new set of plates, the first thing I do is to simply paint each plate with a single color. This helps me figure out where the challenges are with each design. With the holidays plates, I immediately discovered that I needed to peel open the side of my paintstiks rather than the end because of the large open spaces in the design.  (I really like those open spaces, but they force me to change my painting ways so I don’t keep running off the side of a design…)

Fixing the “oops”

Since I’m sure that I’m not the only person that runs off the side of a design, I thought I should share a method for fixing the “oops” factor (or at least making it less obvious!) Here’s the plan:

Rubbing with "oops"Here’s a single color rubbing of the holiday lights with an “oops” – you can see where I went off the edge of the design on the top right. Now that’s more of a “design element” than I would be happy with, so I’ll use a piece of masking tape to see if I can pick up the paint.

fix_oops_2I put a piece of masking tape over the excess paint and rubbed it with my fingernail to really grab the paint.

Pick up paint with masking tapeWhen I peeled up the masking tape, most of the paint came with it! I repeated the process and now my “oops” is barely visible and certainly not distracting.

Working with multiple colors

I liked the string of lights, but I wanted more than one color. Of course! I know, I’m chronically allergic to using a single color of paint, so bear with me.

When I have a design like the lights, I find it almost impossible to paint the lights and then paint the string a different color. So I start by painting the entire design using the color I want for the string and then going back to fill in the other colors. If I don’t lay down a heavy coat of paint with the 1st pass, it’s pretty easy to cover it up with a 2nd pass.

multicolor_1Here’s the design with one bulb painted blue. I still find it easier to use the side of the paint rather than the end to get nice, even coverage.

multicolors_2And here’s an image with lots of colors.

Enjoy your paints!  ~Shelly

Happy Holidays!?!

Monday, March 23rd, 2009

Yes, I know it’s March and we just got past the Christmas holidays, but we’re planning ahead! (Either that or we are waaaayyy behind schedule – I’ll let you decide.) All moans and groans aside, I’m really excited about our new Happy Holidays rubbing plates. With designs ranging from snowflakes to holiday lights, ornaments and holly, the designs are festive but not cute. Perfect for a range of holiday projects! Here’s a look at my first sample.

Happy Holidays Rubbing Plates

I’m really thrilled with the text plate. I’ve been wanting to work with words for some time now, but this is the first chance we had to try it out. When I looked at the plate, I really wasn’t sure if it was going to work. But once I got the paint out – well let’s just say I’m totally convinced that text is going to be a lot of fun. I think this is going to make a super all-over pattern for gift bags, placemats, totes – you name it!

With the exception of the text and the holly/bell design, these plates have larger “open” spaces in them. This set will definitely be a challenge unless you adopt Nancy’s method for using the side of a paintstik for making rubbings instead of using the end of the stick. If you haven’t read them already, go back to read the posts about Better Tools, Better Rubbings and Better Rubbings (part 2) from December. If you use a Grip-n-Grip mat, the 404 spray, the side of your paintstik (and a little practice…) you really can get fabulous results with minimal instances of oops!

And speaking of oops… in my next post I’ll share a couple of more tips for working with rubbings – how to fix some of the “oops” and working with more than one color.

One more thing – before I forget – the Happy Holidays plates will be shipping to retailers by the middle of April.

Happy painting!

~ Shelly

Better rubbings (part 2)

Monday, December 15th, 2008

In the last post, I discussed how the addition of 2 key tools can make a huge difference in the results you see when making rubbings with Paintstiks. Today, I have two more tips for making rubbings.

A little history…

When I began working with paintstiks, I always used the end of the paintstik for making rubbings. That’s what I read about, and it’s just like using a crayon. It never occurred to me to do anything else. It wasn’t until Nancy Kazlauckas and I were doing the photo shoot for the Leaves pattern that I even thought about what I was doing.

I asked Nancy to model for some photos (not too bad a job when it’s only your hands) and she said, “I don’t make rubbings that way.” I just looked at her in surprise and asked her how she worked, thinking to myself “ok, I’ve been making rubbings for years — just what have I missed?” Nancy just looked at me, smiled, and said “I use the side of the paintstik, not the end.” As you can see from this photo, Nancy gets great rubbings using this method.

I felt like I was in one of those V8 commercials where someone smacked me upside the head. Not to mention that I felt a little silly that I had not thought of this myself! I grabbed a piece of scrap fabric, tried out Nancy’s technique and was simply amazed at the results. I think you will be too!

The “standard” instructions for making rubbings

I’ve been teaching people to use paintsiks for about 7 years. Doing what I had always done, I used a “standard” set of instructions.

  • remove the film from the end of the paintstik
  • place a textured object under your fabric
  • hold the fabric down securely with one hand (or tape it down)
  • apply paintstick color directly to the fabric, working in one direction, away from the hand holding the fabric (don’t try to rub back and forth)
  • continue adding color until you are happy with the results

Nancy’s method for making rubbings

To use Nancy’s method, we need to make a change to the beginning of the process:

  • remove the paintstik from the cardboard tube
  • using a small paring knife, peel the film from the side of the paintstik rather than the end

In the photo, I removed the film from the end of the Blue paintstik. To prepare the red paintstik, I removed it from the cardboard tube and used a knife to peel the film from the side of the stick. (I generally peel the film about 1/3 to 1/2 of the stick, not all the way around.) Nancy likes to use the entire length of the paintstik when she works, but I find it easier to work with something a little smaller. If I am working with minis, I peel the film off the full length of the stick. If I have full size paintstiks, I cut the stick in half. I use one half for the rubbings and leave the other half intact for another project. Unless, of course, I need more paint…

Why use the side of the paintstik?

So, why do I think this is the best thing since sliced bread? It’s pretty clear once you give it a try, but I’ll do my best to explain. When you make rubbings with the end of the paintstik, you are working with a very small surface area. If your textured surface or rubbing plate has large open areas between the design elements, it’s easy for the paintstik to drop down into the “holes” in the design and for the rubbing to get rather messy. If you use the side of the paintstik, you are working with a large, flat surface area. Your paint will stay out of the holes, and it’s much, much easier to get a nice, clean image (especially if you do this in conjunction with the things mentioned in the previous post!)

The right technique for the right job

Should you always use the side of your paintstik to make rubbings? Not necessarily. It’s a matter of using the right technique for the right job. If you are making rubbings from small, detailed textures, the end of the paintstik will be a much better tool. For example, this photo shows the first step in using Laura Murray’s StarBuilder shapes to make star parts. (Click over to Laura Murray Designs to find out more about StarBuilder.)

But, if you are adding lots of rubbings to your fabric using our rubbing plates or large textured surfaces, using the side of your paintstik is much faster and gives beautiful, clean images. You’ll be making gorgeous yardage in no time at all!

The bottom line on better rubbings

The best 3 tips I can give you for making better rubbings (from this post and the last one) are

  1. Use a Grip-n-Grip mat to keep your rubbing plates from sliding around as you work
  2. Spray the top of the rubbing plate with 404 spray to keep your fabric from sliding around on the rubbing plate
  3. Use the side of the paintstik rather than the end to get crisp, clear images

Grip-n-Grip mats are from Bear Thread Designs. 404 spray is from JT Trading.

Have fun with those rubbings!

Better tools, better rubbings (part 1)

Wednesday, December 10th, 2008

I must have seen one of the pizza commercials lately – I hate when that stuff sticks in my head! But, it gave me an idea for discussing a common problem, so I won’t complain. So what does pizza have to do with paintstiks? Well…

The most common question I hear is “how can I get a nice clean image when I’m making rubbings?” If better ingredients make better pizza, let’s see how better tools can help us make better rubbings.

One of my favorite things to do with paintstiks is to put textured surfaces under the fabric and use the paint directly on the fabric to create a rubbing. You can make rubbings from all kinds of textured surfaces you find around the house, in the garage, the bottom of your shoes, etc. I like making rubbings so much I started designing rubbing plates just for that purpose. Here’s a photo of some Lazy Girl projects (Wonder Wallets and a Katy Bag) made by some of my friends. These projects are made from plain color silks embellished with paintstik rubbings.

Our rubbing plates are made from plastic, similar to the stuff in pop bottles. (Actually, they are made from recycled plastic, which makes them “green” even though they are black… but that’s another story.) At any rate, the plates are slippery, which means that they tend to shift around as you are work. So let’s go back to the pizza example and talk about the layers involved.

Basic ingredients – (think of your basic cheese pizza)

  • Paintstik color
  • Fabric
  • Rubbing Plate

The 3 essential ingredients are a textured surface (rubbing plate), covered by your fabric, and the paintstik color to be applied to the top. In theory this is all you need, but slippery surfaces get to be a real challenge. Rubbing plates tend to move around on your work surface unless you tape them down, and fabric will often shift as you make rubbings unless it is taped down or otherwise secured. What to do? Just as spices can make all the difference in the pizza, we’ll add a few more ingredients!

Enhanced ingredients – (can you say supreme?)

Let’s talk about the layers from the bottom up. The Grip-n-Grip mat is a life-saver for paintstik projects. Whatever you put on the mat stays put. Period. Put your rubbing plates on the mat, they stay put. Put your fabric on the mat, it stays put. The mat in the photo above is the original dark orange color. The mats are black now, but still the same wonderful product.

The next layer is the rubbing plate. It won’t move around once it’s on the mat, but that doesn’t solve everything — the fabric can slip around on the top of the rubbing plate. That leads us to the next ingredient, the 404 spray.

404 is a re-positionable adhesive spray. (KK2000 from Sulky is a similar product.) I call it “post-it notes in a can” because that’s exactly how it works. When you are getting ready to make rubbings, spray the rubbing plate with 404 and set it aside to dry. I prefer to set the plates on a drop cloth and spray them so I don’t get any overspray on my hands. It only takes a minute for the spray to dry.

To review, the Grip-n-Grip is the bottom layer, then the plate that has been sprayed with 404. Next we place the fabric over the plate — and this is the exciting part — the fabric sticks to the plate just enough to keep it from moving around while you work! No more slippin’ around! And better yet, the 404 spray won’t transfer to your fabric. Perfect!

The topping, of course, is the paintstik color. And just like pizza, the more the better! Now that you have a way to keep the fabric from sliding on the plate, you’ll find it much easier to use more than one color to add more zip to your rubbings.

Next up — two more tips for better rubbings!

Made in Minnesota

Thursday, September 4th, 2008

I know it’s been ages since I posted anything to the blog. We’ve been totally busy here at the office. Lots of things happening here, including moving the business to a new location in the booming metropolis of Miltona. It’s a tiny town in the middle of Minnesota, but the office is only 5 miles from home, so it’s a wonderful location for us!

Rubbing plates have turned into a really interesting adventure. Our paint supplier works with a lot of school supply accounts and placed our plates with  a couple of large accounts. We used to think it was big to ship a few hundred plates for an order. Not any more… Check out this photo from a shipment we made just before we moved to our new location. Leanne and Jack packed up more than 2500 sets of plates that day. I know it’s a big order when the stack of empty cartons is taller than they are.

Lots of people ask where we have the plates made, and I’m very happy to tell you they are Made in Minnesota, from start to finish. Here’s how it goes:

I work with graphic artist Matthew Mills to formulate a set of designs. Matthew does all the technical illustrations and designs the packaging. Matthew now lives in the Twin Cities and works for Target Corp., but he has been wonderful about continuing to work for me on the side. Yeah!

Once we get a good set of designs, we send them off to our manufacturer in Brainerd, MN. I was so lucky to find this company! I can’t tell you how many companies “didn’t get it” when I was looking for a source for these plates. The company is only 75 miles away, so it’s easy for me to visit, or for my rep to visit us with prototypes. No manufacturing in China for this girl!

We also have 2 printers in Brained, both of whom do outstanding work. It took a couple of tries, but I finally found printers who are big enough to do the job and small enough to care! Many thanks to First Impression and Range Printing for turning out great work in quick for us.

Once the parts are ready, everything goes to the incredible people at the Alexandria Opportunites Center. The AOC is a sheltered workshop, providing jobs for many clients with developmental disabilities and injuries that keep them for working in other environments. I can’t even begin to tell you how much I appreciate the clients and staff at AOC. Without them, there is just no way we could have done this product in the first place — let alone keep up with the demand. Becky is the staff person in charge of our products and she sent a few pictures of the plates as they are assembled at the AOC.

Separating the Plates

Once the plates are packaged, we bring them back to our warehouse. Leanne packs them up into cartons of 24 sets and they are ready to ship. All right here in Minnesota!